![]() Easiest, best sounding reamping I’ve ever done. Now its time to try out other amps & cabs. Once in the AX8 (FXLoop) if you adjust the signal gain into the amp model to match the original: it sounds the same: all the dynamics, edge of breakup, etc. No reason for a reamp box conversion as Line Out to Line In at unity gain is ideal analog signal transfer and is impedance matched. So, to reamp you send the DAW DI track from the interface Line Out into the IN 2 FX Return (line in) to reamp. Being able to match the original track is important to me: because often the tone is right, but the effects need to be adjusted.Īs the DI has the exact same front end conversion as the processed signal, it doesn't need to go in through the guitar input I again. The AX8 requires some AD & DA conversions - but is easy to match so closely, I can’t hear any difference. The AxeFX can do all this entirely in the digital realm, without any AD/DA conversions, so that would be “perfect”. It also works with DIs generated by other DI boxes. IME: The AX8 works great for reamping, especially if you also use it to generate the DI. Also the transformer or electronic circuity of every reamp box I've ever come across colors the sound. In practice this works - but its not easy to recreate the original tone if you need to, because the impedance loading of the pickups into the front of the amp affects the frequency response, so the DI will sound subtly different than the guitar. Easiest, best sounding reamping I’ve ever done (don't have an AxeFx - yet).įYI: What a reamp box does is take a balanced line level signal and convert it to an unbalanced instrument level low impedance so it can be input into the front of an actual amp. Route the signal you want to re-amp to the pro 40 output with the jack. Plug the TRS jack into one of the OUTPUTS on the back of the pro 40, plug the XLR into the X-amp input XLR. Now its time to try out other amps & cabs. There are no XLR outputs on the pro 40, they are all jacks (Im looking at a picture online, I dont own one), so you need a TRS jack to XLR Male cable. ![]() On the AX8: Select Input 1 for output 2 send to record the DI track: use SPDIF preferably, or output 1 for recording processed guitar.Īs the DI has the exact same front end conversion as the processed signal, it doesn't need to go in through the guitar input I again. Being able to match the original track is important to me: because often the tone is right, but the effects need to be adjusted. The AX8 requires some AD & DA conversions - but is easy to match so closely, I can’t hear any difference, (and no additional noise). Tone Modeler and Re-amp Box with Attenuation, Ground Lift, and 200 Presets. The AxeFX can do all this entirely in the digital realm, without any AD/DA conversions, so that would be “perfect”. IK Multimedia TONEX Capture Tone Modeler and Re-amp Box. It really comes down to trial an error as pedals have different needs & uses, but if you want to be 100% sure, take the line output from your audio interface into a reamp box (I use one for Radial) run that output through your pedal chain (BTW, if you plan on having a long pedal chain or use long cables you will need a buffer pedal somewhere in your chain) & back into the hi-z input on your audio interface.IME: The AX8 works great for reamping, especially if you also use it to generate the DI. Just try it and see if you like the sound. I personally run all my pedals through a reamp box now because I want to have one "guitar pedal" output and use fuzz pedals in my chain, but this might not be necessary for your setup. Other pedals this might not be an issue and you can take the line output from your audio interface back into the line input (done this with overdrive pedals) but you will probably need to adjust the ouput gain from your interface or the input/drive knob on most pedals or they will overload. Most fuzz pedals need to have the same impedance as the guitar, so a reamp box is absolutely necessary or it will sound like a total garbage.
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